When considering Miguel Arzabe’s bold, woven works, it’s unsurprising that he begins by painting two abstract pieces. Vibrant fields of acrylic spread across his canvases before they’re sliced into long strips and reconfigured. Resulting are dynamic compositions that meld art historical traditions with Arzabe’s Bolivian heritage, drawing on longstanding Andean imagery and weaving practices.
Next month at Johansson Projects, the Oakland-based artist presents a collection of new wall works and suspended sculptures in Sin Contar Cincuenta. Arzabe refers to his practice as offering a “productive confrontation” of distinct cultures, approaches, and periods, and these new compositions continue his explorations into imagining spaces where differences exist in harmony.
“La Bahía de Niebla” (2025), woven acrylic on canvas, 48 x 60 inches
The artist often roots his work in place and connections to a particular environment, and several pieces evoke vast landscapes and weather. “La Bahía de Niebla,” for example, echoes the dense opacity of Bay Area fog, while the elongated form reminiscent of an atoll sprawls across “Isla del Lago.”
Sin Contar Cincuenta is on view from January 17 to March 21 in Oakland. Find more from the artist on Instagram.
“Isla del Lago” (2025), woven acrylic on canvas, 40 x 50 inches
“Phisqa Tunka” (2025), woven acrylic on canvas, 48 x 60 inches
“LBI” (2025), woven acrylic on canvas, 40 x 48 inches
“Atocsita” (2025), woven acrylic on canvas and linen, 56 x 78 inches
“Primer Grado” (2025), woven acrylic on canvas, 60 x 48 inches
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